Hiya,
Last night the DERT set ran through the whole dance, spending maybe 10
minutes on each figure and thinking about timings, sword handling,
placement, snappiness, why some things were working better than others, etc.
I thought I would write out the list of things we discussed (as I remember
it). Please add to this if there's things I've forgotten. It'd be good to
bring this along on Sunday and focus on these points then too.
- - - - -
Walk the Dog - timing of swords going up and down (we preferred swords up
on 1 and down on 8, but aren't very good at it); keeping swords as straight
as possible; discussion of whether to bow swords or move hands apart when
coming back in - TBD; trying to get fully back into the set on 8 before
casting out again.
Back 8 - swords going up smartly on 1 or 5; Rachel to call better.
Fig 8 - keep swords high; push swords up as you come through the middle;
vertical handles in the middle but horizontal on the outside; trying to
come to a consistent point at the front but also a consistent point at the
back.
Open ring - calling early enough that 1 and 5 can move through the set
together; Rachel to not step backwards when she turns round so that 1 and 5
remain symmetrical; sword handles level and vertical; pentagon even.
Glass - be in position in time for the swords to snap down on 4.
Haymarket - trying to make a neat shape instantly; on the rotate, keeping
the set even and tight; not letting the "back" move around too much - Nikki
to consult; Hannorah to bounce less.
Pixies - we didn't practice, but I suspect the issues here would be around
swords going up and down on the right beats, smartly, and the set staying
tight and on the spot.
Stand-in guard - practised for Jo's benefit with the timings and Lindsey to
tumble. Felt pretty good.
Lock - we need to step for 4 to catch up with the music if necessary before
displaying, but if we're there already, an 8 is *not* necessary - there's
been confusion about that lately.
Spin - Rachel needs to remember to call it for longer (I know 16 has been
discussed).
Walk round - nice and tight
Hoops - practised coming out on the right beats, neatly, which was going
well; making sure to catch up with the person in front; number 5 leading
strongly out of the circle; keeping swords high; making sure the display is
neat and even; coming out tidily - 1&5 turning together, when does 3 turn?.
Fourth corner - moving quickly; swords high; snap down on 4; snap to
straight line; 1 and 5 with crossed wrists central over body; 2 and 4 to
lean hands more towards the centre of the set.
Curley - keeping shoulders tight to the pillar; keeping the pillars
stationary - 4&5 pillar was drifting away; coming through with your
partner; swords curving nicely; Sue to come in on the right of the set to
avoid unbalancing; not to worry too much about Sue coming in!
- - - - -
Thanks for making it to the end! Before we all get depressed, I think it's
worth saying that these are all little niggles, not major issues. We also
got compliments last night, with Rhona and Kat both saying how well our
stepping sounded.
See you all Sunday!
Rachel x